Retuning the Plates of a Cello |
A.T. King |
J #44 |
1 |
Preliminary Studies of Flat-Backed Basses |
E. Wall |
J #44 |
2 |
Free Plate Tuning Frequencies for the Violin Octet Instruments |
C.M. Hutchins |
J. #45 |
7 |
Some Notes on Free Plate Tuning Frequencies for Violins, Violas and Cellos |
C.M. Hutchins |
J #47 |
9 |
Equalizing Taptone Pitch at the Two Ends of a Violin Plate |
W.H. Oldham |
J #48 |
12 |
Violin Plate Selection and Tuning |
K.H. Doerr |
Vol 1, No1 |
13 |
Violin Plate Tuning by the Numbers |
K.H. Doerr |
Vol 1, No 2 |
14 |
Tuning Flat Backs |
C. Traeger |
Vol 1, No 2 |
17 |
The Button's Influence on the Tuning of Free Violin Backs |
W.H. Oldham |
Vol 1, No3 |
19 |
On Tuning of Free Violin Plates |
E.V. Jansson & N.E. Molin |
Vol 1, No 3 |
21 |
Note for the Violin Maker in Free Plate Mode Tuning and Plate Stiffnesses |
C.M. Hutchins |
Vol 1, No 3 |
25 |
A Rationale for Bi-Tri Octave Plate Tuning |
C.M. Hutchins |
Vol 1, No 8 |
26 |
Finite Element Modeling of Violin Plate Vibrational Characteristics |
C. Rubin & D.F. Farrar, Jr. |
J #47 |
30 |
The Effect of the Elements of Wood Stiffness on Violin Plate Vibration |
O.E. Rodgers |
Vol 1, No 5 |
31 |
Influence of Local Thickness Changes on Violin Plate Frequencies |
O.E. Rodgers |
Vol 1, No 5 |
38 |
Relative Influence of Plate Arching and Plate Thickness Patterns on Violin Back Free Plate Tuning |
O.E. Rodgers |
Vol 1, No 5 |
42 |
The Effect of Wood Removal on Bridge Frequencies |
O.E. Rodgers & T.R. Masino |
Vol 1, No 6 |
47 |
Influence of Local Thickness Changes on Violin Top Plate Frequencies |
O.E. Rodgers |
Vol 1, No 7 |
52 |
Effect on Plate Frequencies of Local Wood Removal from Violin Plates Supported at the Edges |
O.E. Rodgers |
Vol 1, No 8 |
57 |
Mountain Mahogany: A Domestic Alternate for Ebony? |
J.A. Abbott |
J #48 |
62 |
Further Studies on "Moisture Breathing" by Wood |
R.E. Fryxell |
Vol 1, No 5 |
63 |
Speed of Sound and Damping of Spruce in Relation to the Direction of Grains and Rays |
M. Schleske |
Vol 1, No 6 |
64 |
Acoustical Properties of Some Australian Woods |
J. Dunlop & M. Shaw |
Vol 1, No 7 |
69 |
New String for the Violin Octet |
C.W. Field |
J #45 |
73 |
Transient Response to Certain Violin Strings |
N.C. Pickering |
J #45 |
75 |
Elasticity of Violin Strings |
N.C. Pickering |
J #46 |
78 |
Pitch Rise with Amplitude on Violin Strings |
N.C. Pickering |
Vol 1, No 6 |
80 |
Violin Bow Dynamics - An Initial Response to John Bolander's Plea |
J.A. Abbott & E. Doyle |
Vol 1, No 5 |
81 |
The Structure of Bow Hair Fibers |
F. Rocaboy |
Vol 1, No 6 |
83 |
Magnetic Thickness Measuring Device |
R.T. Jones |
J #44 |
86 |
Sanding Machine |
P.A. Eckhardt |
J #45 |
87 |
Tools for Setting the Soundpost of Small Violins |
R.M. Meyer |
J #45 |
88 |
Helpful Hint for Joining Two-piece Backs |
L.R. Supek |
J #45 |
88 |
Peg Shavers That Work |
W.E. Slaby |
J #48 |
89 |
Adjusting the Wolf Tone Suppressor |
J.C. Schelleng |
Vol 1, No 5 |
91 |
A Purfling Groove Caliper |
W.E. Slaby |
Vol 1, No 7 |
92 |
Tactile Security or Taming the Elusive Treble |
C.H. Agren |
Vol 1, No 7 |
93 |
Loosening White Glue Joints |
A. Carruth |
Vol 1, No 7 |
93 |
Earplugs for Classical Musicians |
E.L. DeVilbliss |
Vol 1, No 7 |
94 |
Buzzing About the Shop |
E. Wall |
Vol 1, No 8 |
95 |
Propolis: Its Composition and Purification |
J. Mather |
J #43 |
96 |
Effects of Five Years of Filler and Varnish Seasonings of the Eigenmodes on Four Pairs of Violin Plates |
C.M. Hutchins |
J #48 |
99 |
Microscopy of Wood Finishes |
C.Y. Barlow & J. Woodhouse |
Vol 1, No 1 |
101 |
Ray Doerr's Violin Varnish - A Different Concept |
R. Doerr |
Vol 1, No 3 |
108 |
Of Old Wood and Varnish: Peering Into a Can of Worms |
C.Y. Barlow & M. Woodhouse |
Vol 1,No 4 |
109 |
Effects on Spruce Test Strips of Four-year Application on Four Different Sealers Plus Oil Varnish |
M.A. Hutchins |
Vol 1, No 7 |
117 |
Air Plate --> Neck Fingerboard Coupling and the "Feel" of a Good Violin |
G. Bissinger & C.M. Hutchins |
J #44 |
123 |
Achieving an Air/Body Coupling in Violins, Violas an Cellos: A Practical Guide for the Violin Maker |
C.Z. Spear |
J #47 |
125 |
Note on "Bitri Octaves" Tuned Violins |
S. Anton |
J #47 |
129 |
A Measurable Controlling Factor in the Tone and Playing Qualities of Violins |
C.M. Hutchins |
Vol 1, No 4 |
130 |
The Cavity (Air) Modes of the Violin |
C.M. Hutchins |
Vol 1, No 5 |
136 |
Some of the Effects of adjusting the AO and the BO Modes of a Violin to the Same Frequency |
C.M. Hutchins |
Vol 1, No 5 |
137 |
Acoustical Effects of "Dressing Down" a Fingerboard and/or Thinning the Violin Neck |
C.M. Hutchins |
Vol 1, No 5 |
139 |
Sympathetic Vibration and Coupling of Resonances |
C.M. Hutchins |
Vol 1, No 6 |
140 |
Body Length Found to be the Primary Factor Controlling Tone Quality Between Violins, Violas, Cellos and Basses |
C.M. Hutchins |
Vol 1, No 7 |
142 |
Methods of Changing the Frequency (Delta) Between A1 and B1 Modes of the Violin |
C.M. Hutchins & O.E. Rodgers |
Vol 2, No 1 |
145 |
The Future of Violin Research |
C.M. Hutchins |
Vol 2, No 1 |
152 |